A few weeks ago I was fortunate enough to see an early screening of Edgar Wright’s latest movie, Baby Driver.
The film follows a teenage getaway car driver code-named “Baby” (Ansel Elgort) as he attempts to leave behind his life of crime and win the affections of a waitress named Debora (Lily James). Baby is something of a driving prodigy, and has proven himself an asset his boss (Kevin Spacey) can’t afford to let go. Baby’s true passion, however, is music, as its the only way to drown out his chronic tinnitus. The movie is an effortless blend of action and comedy, with an emphasis on action (especially in the latter half of the film). While some elements have a hint of camp or parody, it is generally a straight-forward action film.